Thursday, 25 June 2015

Multi Camera Techniques/Sitcom

The sitcom I decided to analyse the multi camera set up fro was the comedy show friends that was aired from 1994-2004. The set was important to the story line as it the main three sets were Monica’s apartment, Chandler’s apartment and the coffee house know as “Central Perk”. “Friends” used a multi camera setup and they also had a live audience, as the sitcom was made for all purposes including drama, romance and comedy, you would hear an audience in the background every time a comical remark was made. In this short scene it is shot in chandlers apartment which just across from Monica’s, the first camera shot I see from the far left shooting at the door as one of the characters walks through it (Rachel).  I believe this to be camera one in four of the multi camera that were set up for this scene., the second camera is set up on the mid right of the set shooting directly at Chandler, the third I believe to be mid left of the set and the fourth and final multi camera would be set up on the far right hand side. This multi camera set up is very similar to what a chat show or live production would have, however what is different about a sitcom is that is pre-recorded and also doesn’t have a camera to show an audience, even though you can hear the audience in the background. The purpose of having an audience is so when a comical response or joke is made on set, it seems funnier to the viewer when the show is eventually aired, occasionally in other sitcoms a laugh track is used known as ‘canned laughter’. This is a separate soundtrack used for recorded comedy shows containing the sound of audience laughter, sitcoms including: “Modern Family”, “Scrubs”, “30 Rock” and “Brooklyn Nine Nine” all don’t use any background audience or canned laughter in their shows. However this sitcom and others like “ and “Two and half man”, the background laughter and noise is a live audience response instead. (All three of these shows uses the same techniques which were all produced and directed by the same individual “Chuck Lorre”).



No comments:

Post a Comment